Saturday, September 21, 2013
Craftsy 75% Off Sale Ends Today
Sorry for the short notice, but this is too good to pass up my crafty friends. I promise I will do more than sell stuff in the next entry!
Saturday, August 24, 2013
I'm Approved!!
Are you ever stumped by a certain technique? Do you ever want to branch out from one craft to another or just improve your skills? I suggest trying Craftsy classes. I am impressed by the high quality streaming videos, the interaction with teachers and other students, the impressive course materials and the lifetime access to your classes. One fee and you have the class forever!
Support Small Business. Click through the Craftsy links here to give Historical Fashion a commission at no cost to you!
So far, I've completed Shoot It, Jean-ious, and Plus-Size Pattern Fitting and Design. In-process - Pant Fitting Techniques. In addition to great classes, the customer service can't be beat. If you're not a member already, joining is easy and free. Plus, they offer free classes and promotions, all of which will be available here.
Got questions? Leave me a comment and I'll get an answer for you.
Happy Crafting!
Got questions? Leave me a comment and I'll get an answer for you.
Happy Crafting!
Friday, May 31, 2013
The Lady in Red - Pictures at last!
It took a long time, but I finally have some photos of the red bridesmaids dress. The dash to the finish was sheer craziness. After 3 days in the hospital, my exhausted client came to pick up her dress and didn't have her "support system" with her. She had come straight from a long day of blood tests and forgotten the bra. She left without trying the dress on, hence we do have a few small tweaks to take care of.
It was late, and I was getting ready to put the fastener at the back neck opening. She wanted to go home. She said, just grab whatever you can get to the quickest. Now I had wanted to do a covered button and loop. Fastest was a hook and eye. That will be replaced as it kept popping open all evening.
The photo below shows the asymmetrical drape with its black satin rose. It added some accent color in addition to the shoulders. She and I came up with the flower at the same time. As you can see, I need to at least double the size to be in scale with the woman in the dress. She also discovered that we need to secure the drape a bit forward of the side seam so that it will be visible when her arms are at her sides.
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| Back - Sheer upper back with self-bound slit |
The photo below shows the asymmetrical drape with its black satin rose. It added some accent color in addition to the shoulders. She and I came up with the flower at the same time. As you can see, I need to at least double the size to be in scale with the woman in the dress. She also discovered that we need to secure the drape a bit forward of the side seam so that it will be visible when her arms are at her sides.
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| Side view showing satin rose |
Since the wedding, she has worn the dress twice more and loved it each time. However, the chiffon has done what fabric will do when there is bias involved. It stretched unevenly. Note the extra-long left side of the handkerchief hem. Now that the dress has hung out a bit, I'm going to correct the hem.
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| At the wedding |
After the wedding, I got a message on my voice mail that started out with her saying she had something bad and something really, really good to tell me. Bad turned out to be the hook and eye that kept letting go and a tiny bit of seam that let go due to picking up and swinging a small child. Good was her going on and on about how much she loves the dress and that she wants at least 2 more in different colors. Best? One of the guests, a future bride, wanted to know where she got her dress. Now there are 3 bridesmaids, a matron of honor and maybe even a bridal gown to do by the beginning of February!
I am so excited to have the opportunity to work with 4 different body types. My objective is for each of the women to be as thrilled with her dress as my beautiful Lady in Red!
Friday, April 5, 2013
March Madness - The Red Bridesmaid's Dress
Remember way back in February when I posted the sketches of that bridesmaid's dress and promised updates? Between my lovely vacation and the huge crush to finish the dress on time, I haven't been able to touch anything other than sewing tools for the last month! (Not to mention being ill twice in the middle of all that.) The dress would not have required crunch time if it had stayed on the original schedule. My client told me the wedding was a week later than it actually was about 2 weeks ago. My April 11 deadline became the wedding date! And my nights and weekends vanished into a pile of red stretch satin, chiffon and tissue paper.
I ended up doing dress #1. The cationic chiffon, which was really beautiful fabric, was too black. Back to the shopping for fabric. We settled on a red stretch satin and chiffon from Sy Fabrics. I also got some black crepe-back satin for the trim. I did my math based on a lovely Goth skirt tutorial from Antimony and Lace. Figuring on 3 layers of chiffon for the skirt plus bodice & sleeves I came up with 10 yards of 45" chiffon. I placed the order, sat back and looked at my calculations once more. Then I called them & added another 10 yards of chiffon!
Starting with a moulange a la Kenneth King, I drafted a tight, princess seamed bodice to serve as the understructure for the dress. His "Birth of a Bustier" was my handbook for the pattern draft. My test garment became the inner layer of the bodice. The skirt was a simple A-line with a bit of ease added for comfort and drape. I wasn't going for a pencil dress.
A couple of fittings and many layers later, I had a workroom full of chiffon pieces and a basted-together satin dress to go underneath the chiffon. That brings me up to last night's final fitting. One little tweak over the bustline, one little tuck in the back and shortening the bone at center front will yield a strapless bodice with perfect fit. I tried the first layer of skirt and we adjusted the length a bit.
Then the fun began. I do love draping! We played around with the bodice chiffon until we got the perfect look, which turned out not to be the sketch. Rather than ending the drape at the waistline, we continued it down as a loose, scarf-like line on one side. We ditched the black sash in favor of the scarf and added a black satin rose at the waistline. We also changed the yoke at the neckline to black satin and added a line of black piping across the top of the bodice. The upper back is one layer of chiffon and the sleeves got re-designed to echo the handkerchief skirt.
The very best thing about last night? My client looked in the mirror and said, "Hey! I don't look like a tube of lipstick. I have a waist. I don't look frumpy. I've never had a dress I didn't look frumpy in!" And that is why I love making custom clothing. The bright smile when someone looks in the mirror and sees that they really are beautiful! More on that later. That thought inspires a whole post of it's own.
Dress gets delivered Monday. Look for pictures soon after!
I ended up doing dress #1. The cationic chiffon, which was really beautiful fabric, was too black. Back to the shopping for fabric. We settled on a red stretch satin and chiffon from Sy Fabrics. I also got some black crepe-back satin for the trim. I did my math based on a lovely Goth skirt tutorial from Antimony and Lace. Figuring on 3 layers of chiffon for the skirt plus bodice & sleeves I came up with 10 yards of 45" chiffon. I placed the order, sat back and looked at my calculations once more. Then I called them & added another 10 yards of chiffon!Starting with a moulange a la Kenneth King, I drafted a tight, princess seamed bodice to serve as the understructure for the dress. His "Birth of a Bustier" was my handbook for the pattern draft. My test garment became the inner layer of the bodice. The skirt was a simple A-line with a bit of ease added for comfort and drape. I wasn't going for a pencil dress.
A couple of fittings and many layers later, I had a workroom full of chiffon pieces and a basted-together satin dress to go underneath the chiffon. That brings me up to last night's final fitting. One little tweak over the bustline, one little tuck in the back and shortening the bone at center front will yield a strapless bodice with perfect fit. I tried the first layer of skirt and we adjusted the length a bit.
Then the fun began. I do love draping! We played around with the bodice chiffon until we got the perfect look, which turned out not to be the sketch. Rather than ending the drape at the waistline, we continued it down as a loose, scarf-like line on one side. We ditched the black sash in favor of the scarf and added a black satin rose at the waistline. We also changed the yoke at the neckline to black satin and added a line of black piping across the top of the bodice. The upper back is one layer of chiffon and the sleeves got re-designed to echo the handkerchief skirt.
The very best thing about last night? My client looked in the mirror and said, "Hey! I don't look like a tube of lipstick. I have a waist. I don't look frumpy. I've never had a dress I didn't look frumpy in!" And that is why I love making custom clothing. The bright smile when someone looks in the mirror and sees that they really are beautiful! More on that later. That thought inspires a whole post of it's own.
Dress gets delivered Monday. Look for pictures soon after!
Wednesday, February 20, 2013
Some Advice for Brides & Bridesmaids
This is short and sweet. If the shop you bought your dress from had to order your dress, do not sign that you picked it up until you try it on! I am encountering more brides and bridesmaids who need alterations because their dresses were sized incorrectly. Several people I know have signed the reciept, taken their gowns home, tried them on and found out that the gowns wouldn't zip up completely.
Once you sign that receipt, all alterations are at your expense. If you try the dress on before you sign and the dress is the wrong size, you can ask for a replacement. This does not include alterations to make a correctly sized dress fit your figure properly. This is for the cases where the dress is obviously the wrong size. You can't zip it up or you swim in it. And don't let them blame it on weight gain or wearing the wrong bra to stick you with the cost of alterations.
Chain-store bridal shops often make the bulk of their money through alterations. I think that's one of the reasons they can sell at such low prices.
Let the buyer beware. Try it on before you sign! Or just get a custom-made dress.
Once you sign that receipt, all alterations are at your expense. If you try the dress on before you sign and the dress is the wrong size, you can ask for a replacement. This does not include alterations to make a correctly sized dress fit your figure properly. This is for the cases where the dress is obviously the wrong size. You can't zip it up or you swim in it. And don't let them blame it on weight gain or wearing the wrong bra to stick you with the cost of alterations.
Chain-store bridal shops often make the bulk of their money through alterations. I think that's one of the reasons they can sell at such low prices.
Let the buyer beware. Try it on before you sign! Or just get a custom-made dress.
Tuesday, February 19, 2013
Vacation Challenge - Weeks 2 & 3 complete
The beautiful knit dress is finished. It hangs so softly and drapes so well. I'm proud that my first effort with this difficult fabric came out so well. Thank you, again, Sarah Veblen! I'm looking forward to wearing this on my soon-to-begin vacation, my first in 2 years. What I learned in the process of putting this dress together is that the fabric you make your test garment out of should have about the same stretch as your fashion fabric. My test fabric was not so stretchy, and I found that the dress grew a bit as I sewed it. My alterations in the back worked out well. Moving the two bodice pieces closer together got me some more back coverage, which was exactly what I had in mind. And because I didn't add on to the outside edges what I took from the middle, it also succeeded in tightening up the dress, which really helped due to the "growth factor."
I am looking forward to sewing more with jersy single knits. Now that I know a bit more about their behavior, I'll be willing to feature them as choices for t-shirts and simple dresses for my sewing business.
Week 3 took a bit of doing. After many hours of trying to coax my serger into making the decorative edge, I had to surrender. I will spend some time perfecting this technique after vacation. I broke down, went to the fabric store, and bought bias binding. The wrong size of bias binding! I ended up cutting my own from a lovely printed burn-out I had in the stash. It was so pretty I decided to do an exposed binding to show it off.
You can see the binding at the cuffs and bottom edge. It disappears where the lapel rolls. I couldn't quite figure out how to make a smooth transition at that point. There are a lot of fabric layers to deal with where the bottom edge of the collar turns back.
I found an issue with the pattern design when I rolled the cuffs back as the illustration shows. The seaming for the sleeve pleat shows and just looks tacky. I added rectangles of the binding fabric both to cover and to keep the sleeves turned up. There are buttons sewn on to keep the tabs in place.
My husband picked the front button out of my mom's old button box. It's probably older than I am, which makes it an antique button! The cuff buttons also came from that box and are miraculously color-coordinated.
I feel the need to digress about my mom's button box. This wonderful woman learned to sew on a treadle machine. She lived through the Great Depression and the rationing of World War II. The button box is a classic demonstration of that background. There are tons of men's shirt buttons, cut from my dad's shirts when they could no longer be repaired and went off to the rag man. Ditto for teeny-tiny buttons removed from baby clothes and doll clothes. At one point, she even tried to put them into matching sets by tying bunches together with thread. All the single buttons left over when the sewing project needed 3 buttons and the button card had sets of 2. Buttons cut from robes and coats. I think the big orange button was a robe button. Decorative buttons from sweaters and dresses went into the box. I am blessed to have this collection from my mom, but I don't hesitate to use the buttons. She would have!
I am looking forward to sewing more with jersy single knits. Now that I know a bit more about their behavior, I'll be willing to feature them as choices for t-shirts and simple dresses for my sewing business.
Week 3 took a bit of doing. After many hours of trying to coax my serger into making the decorative edge, I had to surrender. I will spend some time perfecting this technique after vacation. I broke down, went to the fabric store, and bought bias binding. The wrong size of bias binding! I ended up cutting my own from a lovely printed burn-out I had in the stash. It was so pretty I decided to do an exposed binding to show it off.
I found an issue with the pattern design when I rolled the cuffs back as the illustration shows. The seaming for the sleeve pleat shows and just looks tacky. I added rectangles of the binding fabric both to cover and to keep the sleeves turned up. There are buttons sewn on to keep the tabs in place.
My husband picked the front button out of my mom's old button box. It's probably older than I am, which makes it an antique button! The cuff buttons also came from that box and are miraculously color-coordinated.
I feel the need to digress about my mom's button box. This wonderful woman learned to sew on a treadle machine. She lived through the Great Depression and the rationing of World War II. The button box is a classic demonstration of that background. There are tons of men's shirt buttons, cut from my dad's shirts when they could no longer be repaired and went off to the rag man. Ditto for teeny-tiny buttons removed from baby clothes and doll clothes. At one point, she even tried to put them into matching sets by tying bunches together with thread. All the single buttons left over when the sewing project needed 3 buttons and the button card had sets of 2. Buttons cut from robes and coats. I think the big orange button was a robe button. Decorative buttons from sweaters and dresses went into the box. I am blessed to have this collection from my mom, but I don't hesitate to use the buttons. She would have!
Wednesday, February 13, 2013
Vacation Challenge - Week Three begins
I'm counting days until vacation now. "And the number of the counting shall be 10." Week Three is off to a great start. I found some off-white linen-look cotton poly fabric in the bottom of a pile. It was just enough to make the short version of L.J. Designs Versa Jacket. I've had this pattern for years. Got it before I had a serger, so that tells you how old it is.
It's only 3 pattern pieces and my roadblock is the "decorative serged edge." At this point, perhaps the bias binding would have been a better choice. Because of the way the jacket is constructed, the decorative edge requires changing serger settings and threads at least four times. I found a beautiful, shiny, heavy-weight thread in the same color family to use for the upper looper and fiddled around until I got the look I liked. Then I changed thread and settings for regular sewing. The second time I set up the decorative stitching, the identical settings did not produce the same results. That's where I quit for the evening. There will be more work tonight. That bias binding just might be in my future!
It's only 3 pattern pieces and my roadblock is the "decorative serged edge." At this point, perhaps the bias binding would have been a better choice. Because of the way the jacket is constructed, the decorative edge requires changing serger settings and threads at least four times. I found a beautiful, shiny, heavy-weight thread in the same color family to use for the upper looper and fiddled around until I got the look I liked. Then I changed thread and settings for regular sewing. The second time I set up the decorative stitching, the identical settings did not produce the same results. That's where I quit for the evening. There will be more work tonight. That bias binding just might be in my future!
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